On Robin James’ Resilience and Melancholy

The Trott Line

On March 12, 2016 at the University of Colorado, Denver, at the meeting of PhiloSophia: Society for Continental Feminism, I will be speaking on an Author Meets Critics panel discussing Robin James’ recent book.  Below are my comments.

I like this book. I like how Robin James says important things to a popular audience from a background in academic philosophy that remains unbeholden to that world. I like her independent voice. I like how, in Resilience & Melancholy: Pop Music, Feminism, Neoliberalism, James exemplifies what philosophizing out of a singular moment and specific site looks like. Her moment is neoliberalism and her site is pop music. James uses music as more than an example; in her hands, music is a place for developing a conceptual apparatus for neoliberalism. In music, we hear how the demand to turn damage into something productive works to make oppressed persons assimilate into the neoliberal apparatus.

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