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WILD ECOLOGIES - Featured Post #3: Edmund Berger with an in-depth 
analysis of Guattari's 'ecosophy' and possible points of connection, 
overlap and divergence from anarchist thought.  

BillStereoLoop

How does one begin to broach the question of linkage, passage, and reflexivity to be found in the theories and practices of anarchism, the radical post-psychoanalysis of Felix Guattari, and the ontological framework that has been ushered in the necessity of acknowledging the forces that we label “the Anthropocene”? The overlaps between each are undeniable: in was ecological concerns that late in his life Guattari turned his mind to; the field that his work is commonly situated – the school of post-structuralism – is often affiliated with anarchism of the so-called “post-left” variety. That Guattari was closely aligned with the Italian Autonomia, which the post-left anarchists owe much of their discourse to, is no passing coincidence. We can also note the presence of “green anarchism” under the post-left label, alongside the controversial, anti-civilizational stance espoused by anarcho-primitivism. Yet we can see clearly that this triad of eco-ontology, Guattari, and anarchism have yet to really have the dialogue that they deserve.

On even a surface level reading the commonalities between each point is immediately clear: none points to a resolving synthesis in thought or being. The Anthropocene has brought us full circle and pried open what was also present but shunted aside by the progress of the West – that civilization and nature are not separate, and that civilization and culture exist entangled in the complex web of the ecology itself, defined as it is by various states of emergence. Anarchism, regardless of which of the many monikers it adapts, is at its core a program that is constantly evading and contesting the centralizing and homogenizing forms of the state itself. Guattari, meanwhile, shifts these focuses to the levels of individuals and group’s subjecthood, looking to move from fixed and stable states to ones far from equilibrium. Keeping in tune with the manner in which each point in this triad presents itself as an ongoing unfolding, this essay will attempt no resolute synthesis. I am more concerned in this moment with simply tracing out a constellation of convergences and patterns, looking for possibilities of a minor politics for the Anthropocene.

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In the video below Brian Holmes talks about the post-war culture of machine society, autopoiesis, Marx, globalization, art, geopolitics, cultural critique, cybernetics, activism. Here Holmes is attempting to build towards a theory of ‘pathways through chaos.’ This event took place in Toronto, Canada in 2010:

Brian Holmes is a cultural theorist, activist, and historian involved with a wide array of activist and art collectives in North America and Europe. Since his participation in the Carnival Against Capital in London in 1999, Holmes has participated in activism and artistic endeavors focused on a critique of contemporary global capitalism and is talks about the need to move from geopolitics to geopoetics in his art, criticism, and scholarship. He is the author of Hieroglyphs Of The Future (2003), and numerous articles in European publications, including the interdisciplinary French journal ‘Multitudes.’

His current work can be accessed at his blog, Continental Drift: The Other Side of Neoliberal Globalization.