from Sophie Podolski’s The country where everything is permitted

trans. Paul Legault via
http://words.raisecain.net/2014/07/07/1-july-world-cup-women-artists/

We have the Sun by its mane. The firefighters have
written of everything in signs and still the fire-alarms are
sounding. A Letter to The World(s): you are all whores –
where there is good, you break it down until all that was
good is now whores – because this planet is an
incomprehensible whore-planet with nothing in it worth
comprehending. – She is a succubus. – She is the (third-
world) suicide of modern Philosophy (which she never
studied) – why debate the true-or-false-ness of this
demon-woman-hybrid – when all thought is the
awareness that she wants nothing to do with our human
organism and its every function – Doubt is a hysteria that
relieves the frustration of those who have undertaken to
make her up – You are not sages – you are spacemen –
see you later, then – the weed’s in the drawer – do you
really think you can handle what will happen next –
really, on this planet you’re barely on? – someone’s
demanded the total postponement of the mailmen’s
acidic routines – someone’s demanded all these
frightening grotesques be placed into a slow
bureaucracy until we learn through perseverance how to
ban all failures of expression – Behold her, she wants
you to take her Moos literally – Let’s go back to the times
of the steam-trains and the telegraph wires when you
could lose weight as easy as smoke lifts from a railroad
baroness – from page 50 of Dynamo 13: When someone
passes through pleasure, as through a room, he passes
between doubt and certainty – Pleasure is a plastic thing,
is placed in acid – it is what lasts the desire for it. Thus,
we, the Good and the Just, control our own separate
badnesses for the possibility of living without pain – Shed
the red strings of despair – The whale-bones in the
corset collapse at the feet of the endlessly weeping-
willows – the answering machine announces the undoing
of its animal-life – at this, the ham begins to dance again
– the nomadic houseboat rots in the harbor – the caravel
you keep in your lil’ Susie suitcase will never again run
its feet over saltwater – In the Kasba Noissette you strut
around with your nappy hair like one of those Pakistani
widows, sometimes wearing burgundy, sometimes
bustling around like a vacuum cleaner untying knots –
your boys wrestle over the last of the heroin – one falls
asleep in the hallway – in the lobby – in the lab – so he
can get injected with whatever it is that will let him take
off his face, finally – to abandon the mask and enter
tranquility as into sudden applause – the way one
unlaces a boot – They keep my mask in the ice-cube
compartment – in the fridge – for your dinner – Zap-ada! –
Someone must govern the foldaway beds of the
pedophiles – with their hands and asses out on full
display – O, Gallery of the Queen! – Crankily, the little
gentleman barges through – the unkempt bush of the
labiate-badlands – into the thick velvet. – The viola’s
small thighs, – slotted mandatorily under his arms, –
attend his final monument – He is their musician – he
plays “Love or Confusion” by Jimi Hendrix – And
suddenly his instrument is transformed into something
half-bicycle/half-machine-gun – Within the institution of
marriage and animal husbandry everyone sidles up to
the white enamel bar – and with a little help from the
bartender, the girls loosen up enough to waddle off
deeper into the cave to lie down in the hay – like dogs to
lick themselves thirsty – it’s not entirely the opposite of
disagreeable – Mr. Stationmasterrrrrrr – I am the phantom
ghost – I follow the sun because it is leading me to that
paradise – that is my fist – raining down on your little-
doll’s-tea-parties, you dear, you sweet little cabbages –
Meanwhile us admirals are strophe-ing ourselves –
sometimes the cream-cupboard darlings call out: help –
hup – TAXI! – Your luggage rotted – you can never
associate with the malt-shop-Suzies – you, with your
constantly shaven head – I will stand with you in the
shade of a fern, slowly rising into time, and lead our own
two selves, humble and certain, from scrutiny – But it
must be that I am constantly myself and chaos – and am
myself in every remnant of myself – albeit a traumatized
version of myself – on the coast, meeting some future
twin or ghost of myself – You want to take the subway – I
want to buy an ice cream cone – HA! – we are,
essentially, milksmiths – we love our beaten path and if
the sheepdog is crazy, there’s nothing we can do about
it – but graft our pleasure to this EXIT – You can’t take
the boys with you – the amateur sailors you keep on
balconies and on terraces to make it with at your
convenience – who you haven’t granted permission – to
overflow from their ashtrays – to inject themselves with
death – to sever – all that’s you from them – They’re
planning to steal your patio furniture – after putting away
all the leather accessories you keep them in – even their
adorable singlets – because the only life is a life of love –
Destroy – yours, theirs, and the others’ bright academy –
it isn’t necessary – to drink pure lemonade, with two ice
cubes, at all times, endlessly smoking menthols – Quit
your, their, and the others’ constant bitching – it isn’t
necessary – in your parents’ basements, where you hide
away, honing your pinball-skills – two lips and two shiny,
plasticized filets – like your grannies’ gigantic clits – the
cat with its hair standing on end —- like a cumbersome
anxiety – you don’t smoke the joint with me – I am here –
I am there – not here – the wet figs eat themselves – they
eat the other figs, the dates – the cherries – as thieves
tug at the policemen’s sausage – The cops stand around,
mutely eating horse-meat – they never speak – of their
own mythology – but pass into it like the legend of the
hidden airplanes – flying on a train somewhere –
preferring the rhythm of the tracks, passing under – you
wish a Happy Anniversary to the Israeli War – MAO is
becoming younger, bowed at the feet of his great AGE –
China advances – say it – the color-television hen agrees,
in Italian – sometimes mumbling in French or in English –
how at all times they will never love the men they are
saying they love here – the suns’ pin knows that when
the moon fills its basket that the other side of the basket
will be empty – speed’s superb and grandiose
demonettes – are their translucent green – and a trance –
and LUCID – and the winking green eyes’ confessions –
and I am persuaded by – the crisis of phosphorescence –
the 9 black arts of language will turn the palm trees in on
themselves – like conches turned to music – the same
palms feed the air – their exotic makings – each fruit the
color of television – each color for the color blind – a
constant green – little changes in the blue range – and
the red range – a little acid in the orange’s fluorescent –
something’s turning it yellow

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